Yesterday, I watched Every Brilliant Thing on Jio Cinema, a theatrical performance that stands out for its unique approach to storytelling. Created by Duncan Macmillan and performed by Jonny Donahoe, this production manages to tackle the complex subject of mental health through a deceptively simple narrative structure. The story follows a character who begins making a list of everything worth living for when their mother first attempts suicide. What starts as a child's attempt to help their parent transforms into a lifelong project that weaves through the narrator's own experiences with love, loss, and depression. The HBO documentary version I watched maintains the raw energy and authenticity of the stage production, demonstrating how powerful minimalist theatre can be.
The performance distinguishes itself through its innovative use of audience participation, but not in the way most interactive theatre works. Donahoe, serving both as narrator and facilitator, transforms audience members into essential characters in the story. He hands out items from the list to various viewers before the show begins, asking them to read these items when their number is called. This approach creates an environment where the boundary between performer and audience dissolves naturally. What's remarkable is how this participation doesn't feel forced or awkward - instead, it adds layers of authenticity to the narrative. The documentary captures these moments of genuine human connection, showing how different audiences engage with the material and how their reactions become part of the story itself.
Jonny Donahoe's performance deserves particular attention. As a British comedian, he brings a perfect balance of humor and gravity to the material. His delivery feels conversational and genuine, making the heavy subject matter accessible without diminishing its importance. What's impressive is how he maintains this delicate balance throughout the performance, knowing exactly when to let humor lighten the mood and when to let the serious moments land with their full weight. The documentary shows multiple performances, and in each one, Donahoe adapts his approach based on the audience's energy while maintaining the core emotional truth of the piece.
The significance of "Every Brilliant Thing" extends beyond its artistic merits. The production opens up conversations about mental health in a way that feels natural and non-threatening. By focusing on the list of brilliant things - which includes items ranging from ice cream to the sound of rain on windows - the show reminds us how the smallest moments can anchor us during difficult times. The documentary version succeeds in capturing this aspect of the live performance, showing how different audiences connect with and respond to these themes. MacMillan's writing, combined with Donahoe's performance, creates something rare in theatre: a piece about depression that leaves you feeling more hopeful about life, not by avoiding the dark parts but by acknowledging them while celebrating what makes life worth living.
